Film / Algemeen / Cinematografie / photography
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kappeuter (crew)
geplaatst: 28 november 2019, 16:47 uur
Cooke Optics TV schreef:
We welcome cinematographer Rodrigo Prieto to Cooke Optics TV. A veteran of the cinematography world, he has collaborated with Martin Scorsese on three feature films that include 'The Wolf of Wall Street’, ‘Silence’ and ‘The Irishman’. In this video, he deconstructs some of the photographic decisions they made in ‘The Irishman’ and how he first met Scorsese. Interviewed at Camerimage 2019.
We welcome cinematographer Rodrigo Prieto to Cooke Optics TV. A veteran of the cinematography world, he has collaborated with Martin Scorsese on three feature films that include 'The Wolf of Wall Street’, ‘Silence’ and ‘The Irishman’. In this video, he deconstructs some of the photographic decisions they made in ‘The Irishman’ and how he first met Scorsese. Interviewed at Camerimage 2019.
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kappeuter (crew)
geplaatst: 5 december 2019, 14:22 uur
Cooke Optics TV schreef:
This week we welcome Lawrence Sher to the channel. He talks to us about filming Joker. What made the style? What challenges did they face? What were some unique scenarios?
This week we welcome Lawrence Sher to the channel. He talks to us about filming Joker. What made the style? What challenges did they face? What were some unique scenarios?
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kappeuter (crew)
geplaatst: 19 december 2019, 14:25 uur
Cooke Optics TV schreef:
n this weeks episode Dan Mindel talks to us about Star Wars: The Force Awakens. How were the lightsaber fights executed? How did ILM create the stunning visual effects? What approach was taken in lighting the set? How did concept art influence the film?
n this weeks episode Dan Mindel talks to us about Star Wars: The Force Awakens. How were the lightsaber fights executed? How did ILM create the stunning visual effects? What approach was taken in lighting the set? How did concept art influence the film?
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kappeuter (crew)
geplaatst: 26 december 2019, 14:07 uur
Cooke Optics TV schreef:
In this weeks episode we get some brilliant lighting tips form Gaffer Julian White. He talks about techniques he used on Murder on the Orient Express. He explains how we should light night scenes and much more.
In this weeks episode we get some brilliant lighting tips form Gaffer Julian White. He talks about techniques he used on Murder on the Orient Express. He explains how we should light night scenes and much more.
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kappeuter (crew)
geplaatst: 9 januari, 18:48 uur
Cooke Optics TV schreef:
In this weeks episode Robert Yeoman talks to us about working with Wes Anderson. What are the different processes to creating the image? What is it like working with Wes compared with actors improvising scenes?
In this weeks episode Robert Yeoman talks to us about working with Wes Anderson. What are the different processes to creating the image? What is it like working with Wes compared with actors improvising scenes?
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kappeuter (crew)
geplaatst: 16 januari, 15:18 uur
Cooke Optics TV schreef:
In this episode Ben Davis talks us about his philosophy of filming. He discusses what he wants to convey in his cinematography and how the relationship with the director affects the approach.
In this episode Ben Davis talks us about his philosophy of filming. He discusses what he wants to convey in his cinematography and how the relationship with the director affects the approach.
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kappeuter (crew)
geplaatst: 28 februari, 10:05 uur
Cooke Optics TV schreef:
In this episode we talk to Rodrigo Gutierrez and Peter Robertson. Two highly experienced camera operators about their craft and what is expected of them on set.
In this episode we talk to Rodrigo Gutierrez and Peter Robertson. Two highly experienced camera operators about their craft and what is expected of them on set.
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kappeuter (crew)
geplaatst: 6 maart, 20:54 uur
Cooke Optics TV schreef:
COTV presents an exclusive behind the scenes look at Pixar’s Onward. In this episode, Pixar cinematographers Adam Habib and Sharon Calahan give us an insight into the minds of the Camera and Lighting DP’s (Director of Photography).
They deconstruct two scenes from the film and discuss their artistic approach to the film, including how they work with different light sources, choose virtual lenses and construct camera movement. Cooke Optics TV travelled to the Pixar HQ in California to interview key members of their team and film exclusive content that explores the history of cinematography at Pixar.
COTV presents an exclusive behind the scenes look at Pixar’s Onward. In this episode, Pixar cinematographers Adam Habib and Sharon Calahan give us an insight into the minds of the Camera and Lighting DP’s (Director of Photography).
They deconstruct two scenes from the film and discuss their artistic approach to the film, including how they work with different light sources, choose virtual lenses and construct camera movement. Cooke Optics TV travelled to the Pixar HQ in California to interview key members of their team and film exclusive content that explores the history of cinematography at Pixar.
0
kappeuter (crew)
geplaatst: 19 maart, 20:49 uur
Cooke Optics TV schreef:
This week we welcome Sudeep Chatterjee to the channel. He takes us through his experience with Bollywood films. How do you shoot a Bollywood song and dance sequence? He tells us about the use of fire and how can be replicated with flicker boxes, but is it as good as the real thing?
This week we welcome Sudeep Chatterjee to the channel. He takes us through his experience with Bollywood films. How do you shoot a Bollywood song and dance sequence? He tells us about the use of fire and how can be replicated with flicker boxes, but is it as good as the real thing?
0
kappeuter (crew)
geplaatst: afgelopen donderdag om 17:34 uur
Cooke Optics TV schreef:
Following his previous COTV Masterclass 'Deconstructing Film Lighting' we welcome gaffer Julian White back to the channel. In this episode, he examines how different types of diffusion (silk, cloth, plastic) influence lighting decisions on a film set. He explains how these different sources of diffusion and light effect colour temperature and what he does to work with this.
Following his previous COTV Masterclass 'Deconstructing Film Lighting' we welcome gaffer Julian White back to the channel. In this episode, he examines how different types of diffusion (silk, cloth, plastic) influence lighting decisions on a film set. He explains how these different sources of diffusion and light effect colour temperature and what he does to work with this.
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