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Nobuhiko Ôbayashi
Overleden op: 10-04-2020 (82)
Geboren: 9 januari 1938 in Onomichi
Bekend van: Hausu, Hanagatami en Umibe no Eigakan – Kinema no Tamatebako
IMDb profiel: Nobuhiko Ôbayashi
Wikipedia: Nobuhiko Ôbayashi (wikicode: 31681 )
Bekend van
Volledige filmografie (72)Hausu
als Husband (onvermeld)
Hanagatami
Umibe no Eigakan – Kinema no Tamatebako
als The Mysterious Old Pianist / The Director John
Nerawareta Gakuen
Toki o Kakeru Shôjo
Tenkôsei
Tenkôsei: Sayonara Anata
Kare no Ootobai, Kanojo no Shima
Sada: Gesaku · Abe Sada no Shôgai
Futari
Ijin-tachi to no Natsu
Noyuki Yamayuki Umibe Yuki
Riyû
Seishun Dendekedekedeke
Émotion
Kindaichi Kosuke no Boken
Hyôryu Kyôshitsu
Pekin no Suika
Shounen Keniya
Ashita
Tengoku ni Ichiban Chikai Shima
Sabishinbô
Haishi
Mizu no Tabibito: Samurai Kizzu
Kono Sora no Hana: Nagaoka Hanabi Monogatari
Ano Natsu no Hi
No no Nanananoka
Haruka, Nosutarujii
Kaze no Uta ga Kikitai
Nagoriyuki
22 Sai no Wakare - Lycoris: Ha Mizu Hana Mizu Monogatari
Sono Hi no Mae Ni
Furimukeba Ai
Samengewerkt met
Reacties
Meneer Bungel
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Van deze regisseur alleen Hausu (1977) gezien en ik ben wel benieuwd of er nog meer films van hem in die richting gaan, of is dat een buitenbeentje? Verder weinig stemmen voor zijn films, en dus ook weinig berichten...
Wie gaat bijvoorbeeld - of heeft al, maar nog niet gestemd - Kindaichi Kosuke no Boken (1979) nog eens zien?
Mochizuki Rokuro
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Ik heb er zelf ook nog niks meer van gezien. Heb wel deze DVD nog liggen (R1 HVe): Sada (1998). Staat als goed bekend (zowel de film als de DVD).
Ik weet dat deze nog bestaat op DVD (Kadokawa Pictures), maar die heb ik zelf niet. Info hier.
Hier een artikel over hem op Midnight Eye. Hij is wel experimenteel filmmaker, maar of er iets vergelijkbaar is met Hausu betwijfel ik, hoewel die stills van die tweede...
Meneer Bungel
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Bedankt, 'experimenteel filmmaker' klinkt goed, en ME stelt: ''But while House continues to circulate in the confines of a cult cinema context, the film is but one hinge in a remarkably multifaceted career.'' Ik zie trouwens dat het door ME genoemde Émotion (1966) nooit op MM zal komen, vanwege de speelduur van slechts 40 minuten.
beavis
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heb al redelijk wat van deze regisseur gezien. Is opzich zeker experimenteel (ook een ATG linkje), maar vooral bekend door zijn commercielere fantasy / jeugd films.
mijn scorelijstje:
Hausu (1977) (3,5)
Nerawareta Gakuen (1981) (3)
Tenkosei (1982) (3,5)
Toki o Kakeru Shôjo (1983) (3,5)
Hyôryu Kyôshitsu (1987) (2)
Tenkôsei: Sayonara Anata (2007) (4)
quote:
It's a little known fact that long before Nobuhiko Obayashi directed House, he was one of the pioneers of the emerging experimental film scene in Japan in the late 50's and early 60's, along with filmmakers like Yoichi Takabayashi, Donald Richie (who of course is better known as an author and film historian than a filmmaker), and Masao Adachi (who wrote the screenplays for Koji Wakamatsu's most politically radical films, joined the Japanese Red Army, and lived in the Middle East until he was extradited to Japan to serve some jail time). Obayashi was a student in his early 20's when the earliest of these films were made. They were personal 8mm films but the Art Theater Guild provided a venue for them to be seen by the public, which led to the opportunity to make longer and more elaborate 16mm productions. At the time, Obayashi was making a living by directing television commercials and using them as opportunities for experimentation--his quick editing style and penchant for playful visual flair were very influential in the CM production industry. Production on his personal experimental films took place at the same time as CM production, often using the same actors and even incorporating the commercials themselves into the experimental films. Some of the resulting films blur the line between arthouse drama, silent comedy, low-budget horror, documentary, pop-art experimentation, and personal home video.
I can't think of another filmmaker who bridges the gap between experimental film and mainstream appeal as well as Obayashi. Nowadays, past the era of music videos, it's not uncommon for a director with a background in experimental films/commercials/music videos to make the leap into pseudo-mainstream feature films. But Obayashi was doing it long before guys like Spike Jonze, Michel Gondry, Gen Sekiguchi, and Wisit Sasanatieng made it popular. When Obayashi made House, his first studio feature in 1977, he used it as sort of a showcase for all the experimental techniques he had developed over the years. The result was unprecedented--nobody had made a big studio feature anything like it before (Seijun Suzuki probably came closest), but the important point is that despite all its weirdness, House was a big commercial success, as were many of Obayashi's later films.
beavis
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Wie gaat bijvoorbeeld Kindaichi Kosuke no Boken (1979) nog eens zien?
zou ik graag doen, mede omdat het een "Kosuke Kindaichi" verhaal is waarvan ik laatst ook al Inugamike no Ichizoku (1976) zag, maar helaas deze is (nog) niet met subs te vinden...
Meneer Bungel
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Ook bedankt, toch maar eens op zoek gaan naar wat titels...